Getting the best results

How to photograph your product so we can match it exactly

You don’t need a studio — just a clear photo and a few simple habits.

Of everything in the guides, this is the one to read before you order — every step after it works better when the photo going in is right.

Do

  • Keep it clear & sharp — in focus, no motion blur.
  • Use a neutral, uncluttered background.
  • Light it well and evenly — daylight works great.
  • Show the full product, plus a few close-ups of key details.
  • Send the highest resolution you have — at least 1000 pixels on the long side, which any phone from the last decade clears. Below that the upload is refused on the spot and says so, so you find out while you are still at your desk rather than a day later.

Avoid

  • Blurry, dark or low-light shots.
  • Busy or distracting backgrounds.
  • Heavy filters or strong colour casts.
  • Tiny, low-res screenshots.
  • Cropping part of the product out of frame.
Photo to come
The same product shot badly: a phone photo in a dim room, on a cluttered surface, slightly out of focus Must look like a photo someone would actually send us — not a caricature. Dim, flat, a busy background, and just soft enough that the edge of the product is not crisp. Same product and same angle as the frame beside it; only the conditions differ.
Photo to come
The same product shot well: daylight from a window, a plain surface, sharp from edge to edge Must be reachable with a phone and no equipment — that is the whole promise of this page. Daylight, a plain wall or table, product filling the frame, in focus. Nothing styled, nothing retouched; if it looks like studio work the reader concludes they cannot do it.

The set we recommend — and why.

We almost never hold your product in our hands, so the more angles you send, the more exactly we can rebuild it. That is what makes the difference between matching your product and approximating it.

01

Front & back

The whole product from both sides, so nothing about its shape is guessed.

02

A detail close-up

Logos, stitching, prints, hardware — the things that have to stay exact.

03

The fabric

A close shot of the material so texture, weave and sheen read true.

04

Worn for fit

Someone actually wearing it, so we can reproduce the real-world fit and drape.

The first one is required. The rest are recommended. Front and back both come back to you as delivered images, so we ask for both rather than invent the side we cannot see. The close-up and the worn shot are optional — each one makes a specific thing more accurate, and if a product has no logo or hardware to close in on, the close-up you get back is a fabric shot instead.

Got a photo ready? Let’s see it transformed.

Start with one test sample — just a €1 fee to prevent abuse.

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